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Birth of a Commissioned Abstract


'Ocean Dance 1' OE Alexander
Last week I was asked by a previous client to paint 2 paintings for her home. She wanted an 'Ocean' theme, Abstract in style with light greens and blues on canvas. She chose a 44x78cm deep canvas and also a small 30x30cm canvas.
THE PALETTE;
I decided on a limited pallette; Yellow Hansa light, Ultramarine blue, white gesso and a black charcoal stick.
I often use a limited palette as I find the colours tie together so much better and I can create some beautiful greys from just 2 colours and black and white gesso.
THE THEME;
Living on the coast I am often at the beach.When walking on the beach I love the way the waves travel up the sand before sweeping back into the ocean. It reminds me of a dance. The waves work their way through the sand creating rivelets and and intriguing patterns, like minature landscapes. This is what I hoped to capture.
DESIGN & COMPOSITION NOTES:
I worked in a diagonal manner across the canvas as this would create the movement & dynamics in the composition that I desired.
Using the charcoal stick I drew lines strongly on the canvas. I imitated the shapes of the waves, patterns in the sand and the movement of sand reacting with the water.
I put the focal point in the upper third (the Golden Mean) section. Most of my shapes in this section would be smaller and brighter in colour to draw the eye. Also keeping in mind the use of line to lead the eye through the painting I added and removed charcoal marks till I had a pleasing composition and design.
The painting contained the following: movement, rhythm and repitition, balance, unity, variation and space.
The importance of the Principles and Elements of composition and design really come into their own when painting abstracts. To abstract means; 'to remove from reality, not definable as something which actually exists'.(dictionary) So basically the 'bones' (composition) have to be right.
WORK SEQUENCE:
Using the yellow, blue and white I mixed a light, clear green leaning more towards the blue side of the colour wheel. I brushed this on quite thickly alternating brush directions to create a nice, thick cover with few brush marks. This was applied to the larger areas of the canvas to create some tranquile rest spots. Not only does this allow the viewer's eye some quiet areas but it also
helps the focal areas to 'pop'.
Use the 2 colours and white I mixed a variety of greens, blues and yellows. I also used the colours straight from the tube. In places the paint mixed with the charcoal to produce some lovely greys. Greys are wonderful, they give balance to a painting as well as interest.
I mixed, applied and applied some more till I was pleased with the result. Rotating the canvas often to check for balance from all aspects. The painting could be hung several different ways and still be balanced.
The client was  very pleased with both paintings ( the 2nd smaller work was a compliment of the first using the same colour palette). Her and her husband live in a rental property with grey walls, the paintings looked great and really bring the room to life.
I hope this blog has been useful and informative to my fellow artists and blog readers.
Ciao for now
Liv
PS; my spell checker's not working, please forgive mistakes!
PPS Drop me a line, I would love to hear from you 
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HOW I CREATE ABSTRACTS part 2


Entwined by Olivia Alexander

Aghh! At last! I finally got here! I've been trying to get this Blog publishing for weeks.  What with my eldest daughter's wedding, working part time, kitchen reno and setting up my website for selling overseas there just hasn't been the time or brain space to do it! In fact I feel like my brain needs 'de-fragmenting'!
Anyway, even in the midst of a hectic life I've still managed to product two new artworks. (have a look at my 'Hot Off the Easel' portfolio.)

'Cosmic Highway' is the 4th in the Planetary Series. It is mixed media, including some specialized techiniques I use with fibreglass, and acrylic paints.
 
                                                                                                         
                                                                                                           'Cosmic Highway by Olivia Alexander,
The other painting is titled 'Entwined'. An Abstract, mixed media painting on 300gsm watercolour paper, the theme was Earth, Sky & Water. Each is a part of and dependant on the other.
The inspiration came from my favourite local beach, Bombo.
Traveling along the coastal road, south ot Kiama, the scenery is breathtaking - Green hills and valleys of the Illawarra meet the white, sandy beaches and aqua -blue, rolling waves of the NSW coast. Following the Princes Highway over the Minnamurra river you are then surprised by the beautiful vista of Kiama stretched before you. On the left is the very popular surf beach - Bombo.
One of the few beaches to allow dogs, it is a favourite of mine for walking my pooch. It also provides much artisitic inspiration, expecially for Abstracts.
Bombo has been used in several TV shows and ads as the spectular cliff faces and haunting rock scapes provide great back drops. With areas such as the Bone Yard (pictured), Cathedral Rocks and the Witches Cauldron it's not hard to see why!                                                                                   
                           
The ocean stretches to the horizon and the sense of 'freedom' that I feel as I sit on a safe perch on the clifftop is quite exhilarating. I've spent many hours clambering over rocks, taking close up photos of interesting patterns, shapes and lines in the boulders and cliffs.
Which brings me to share with you another method I use for creating abstract designs. -
Close ups and Macros.
Macros are basically 'very' close -up photos, perhaps 1-2cm or 1 inch away.
this can be of flowers, insects or textures in nature. My camera has a 'macro' setting which automatically allows it to focus very close up.
I can then use the shapes in the photo by transfering them to any size canvas I wish. Look for a good balanced design with interest shapes, both negative and positive. 
And remember that as an Abstract or Expressionistic artist you aren't confined to using realistic colours. If you feel inspired to paint the sky green and the rocks red, then do it! The possibilities for this method are endless. Visit your local forest or rocky beach and sketch and photograph as many interesting natural patterns and textures as you can.
 This will give you a wealth of visual information and references for Abstract artworks.
Enjoy being free in your creativeness and happy painting!
Ciao for now, Liv

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Cosmic Footsteps


Planetary Series- Cosmic Footsteps

 I've heard alot about the benefits of painting using a 'theme'. Occasionally I will stick with a certain subject for a short while but I've never really done this for a consistent period. There always seems to be too many interesting things to paint!
I've often thought about doing a theme on Planets so here it goes. Hopefully, as I get into it I will be able to abstract them and experiment abit more.
Have a look at several other 'planetary theme' paintings on my website. 
What ideas do you have for an interesting and unusual theme? Love to hear from you.
Ciao for now.
Liv
 Cosmic Footsteps -Mixed media, charcoal, Japanese papers, acrylic paint on stretched canvas. This is part of my 'Planetary' series. inspired by the incredible colours, patterns and textures of the solar system.
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HOW I CREATE ABSTRACTS - Part 1

 I often get asked how I create my abstract artworks and where my ideas come from. If you’ve ever stood before an abstract painting and thought “What the?” you’re not alone! Mind you there are some bad examples out there!

Until I went to Art College to do a Fine Arts Certificate I never understood what abstract art was ‘all about’. I now have several methods for developing designs.

The reason I love to paint abstracts is that it gives me the opportunity to express what I see in a different way. Like many abstract artists I started as a realist painter but in later years I found this unchallenging.

I don’t want my art to look like a photo, I want to express more.

Abstracts need to be based on the same principles and elements of design that realism is based upon, in fact the abstract painter needs to have an even more thorough understanding of the principles of design. This is what gives the painting structure and balance.  Throwing paint or riding a paint clad bike over a canvas is not what abstract art is really about!

My inspiration for abstracts comes from everywhere. In fact, sometimes there are too many ideas!

Things like textures or patterns on rocks, trees or the forest floor can spark an idea. Abstract designs are all around you!

                                     

For example I take photos of interesting rock formations or patterns often at the local beaches,( see above), I look for good movement, direction and lines. This little one has an interesting focal point in the ‘third’ section of the painting and made a great small ‘beach theme’ abstract. I have multiple photos like this. Trees are anothergreat source for patterns, colour and design. 
                                                                       .

If you begin to look at the subject  as ‘flat shapes’ rather than objects, it’s a good way to start.
Looking at the subject through a piece of red Perspex is a great way to remove detail, decrease the subject to ‘shapes’ and show you what the tonal values are by negating the colours. (A great little trick my art teacher taught me)!

You need to look for things that grab your attention, maybe the way the shapes inter-relate, or interesting lines that can lead the eye through the painting.  Also the negative shapes in a design are equally as important as the positive shapes so keep your eye out for ones that are interesting and not all the same.

In my next blog I’ll share some other ideas for beginning an abstract painting such as using macro photos or perhaps beginning an abstract based on a traditional painting design. If you would like to receive my newsletter please sign up on my website. Bye for now! Liv

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